“Muay Thai”

A majority of the offensive techniques that are used in Muay Thai utilize a students hands, feet, elbows, and knees to strike an opponent. In order to bind the opponent for both defensive and offensive reasons, there is a small amount of grappling on the feet that is used – the clinch.

The clinch occurs when someone gets in your circle of radius, inside of your comfort zone. To execute knees and short kicks from the inside, the clinch can be very useful. The Thai fighter makes great use of the clinch, tying up on opponent on the feet then pounding his stomach, ribs, knees, and legs with brutal knees. Knees are very popular techniques with Muay Thai, as Thai fighters spend a lot of time training their strikes – especially knees and elbows.

Although high kicks to the opponents head looks amazing during the fights, experienced Thai fighters always say that knees and elbows have a lot more impact, and they do the most damage to the body. If a Thai fighter is very experienced and has enough power in his strikes, he can quickly and easily kill someone with his techniques. Read more…

“Aikido Weapon”

Aikido is one of the traditional forms of martial arts that combine both the body and the mind. It does not only emphasize the use of physical skills but also the spirituality of practitioners and those who wish to learn the art.

Aikido is a technique that incorporates moves that are more defensive than offensive. In fact, it seeks not to injure but to prevent or stop a person. This is perhaps why there is rarely a weapon used in the sport. The martial arts is made up mostly of movements and techniques. Still, there are some, who are already advanced, that go into weapons training. Weapons that are used in aikido are the tanto, the wooden jo and the bokken. Often, techniques in taking weapons from opponents and keeping the weapon practitioners are using are taught. Read more…

“Black Switches”

II. (1) P-e4 P-e6

With this move Black switches the center from the e-file to the d-file.

(2) P-d4 P-d5

Now White need not hesitate to protect his King’s Pawn with Kt- c3, for Black cannot, as shown in example 1, gain control of the center by exchanging on e4 and playing P-e5.

The advance (3) P-e5 cannot be recommended for the reason explained in example I. Of course, White, being a move ahead anyhow, can afford to make a Pawn move which does not exactly advance his own development, if that Pawn move hampers the development of the opponent to some extent.

This would be the case after (3) P-e5, as Black could not develop his King’s Knight to the most natural square, namely, f6. However, the Pawns d4 and e5, though forming a strong center, as long as they are both in place, are liable to become subject to disagreeable attacks which Black can institute with P-c5 and P-f6, and if White cannot maintain his center, then the advance to e5 is mere waste of time.

(3) Kt-c3 Kt-f6

Again White’s King’s Pawn is attacked. The first continuation for White to think of would be (4) B-d3, developing another piece.
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“King’s Pawn”

In trying to open a file for the Rooks it will be advisable–just as in the King’s Pawn openings–to aim at the same time at the clearing away of the opponent’s center-Pawn, and this can only be done by the advance of the c-Pawn. Therefore, it would mean loss of time if the Queen’s Knight were developed into the c-file before the c-Pawn has moved; the Knight would have to be moved away again in order to enable the opening of the c-file. This consideration furnishes the key for the understanding of the most popular Queen’s Pawn opening, which is

(1) P-d4 P-d5 (2) Kt-f3 Kt-f6 (3) P-c4

White offers a Pawn to induce Black to give up his center-Pawn, hence the name “Queen’s Gambit.” If Black could actually hold the Pawn he would be justified in accepting the Gambit unless it can be demonstrated that White’s advantage in development yields a winning attack. However, White can easily regain the Gambit-Pawn, and so there is absolutely no reason why Black should give up his Pawn-center.

The way in which White regains his Pawn in the accepted Gambit is this: (3) …, Pxc4; (4) P-e3, P-b5; (5) P-a4, P-c6 (if Black takes the Pawn a4, White captures the Pawn c4 and then regains the a-Pawn. (5) …, P-a6, cannot be played on account of Pxb5, opening the a-file for White’s Rook so that Black cannot retake the Pawn). (6) P-b3, Pxb3; (7) Pxb5, Pxb5; (8) Bxb5+ and Qxb3.
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“D-Pawn”

The advance of the d-Pawn, besides the possibility of opening the d-file for the Rooks, has another very important purpose. It invites, and often compels the opponent to take the Pawn with his e-Pawn thereby losing control of “the center.” What is meant by center in King’s Pawn openings will be understood from the analysis of the Diagram 44 in which only the Pawn skeleton of a King’s Pawn game is given and in which it is assumed that Black has exchanged the Pawn e5 for the Pawn d4.

This Pawn formation offers an advantage to White because the Pawn e4, White’s center-Pawn, controls the two squares d5 and f5 while the two corresponding squares in White’s camp, that is d4 and f4, are not in the hands of Black and could be occupied by White men.

It is evident that it must be advantageous to have pieces placed in the center of the board as there they have naturally more mobility than towards the edge of the board where part of their radius of action is cut off. A Knight, for instance, placed on d4 will possibly have an opportunity later on to go to f5 from where he helps an attack on g7.

The square f4 may be useful for the Queen in an attempt to reach the King’s wing speedily, thus accumulating on that part of the board superior forces. These and other advantages connected with the control of the center will be more readily understood after the discussion of the middle game maneuvers of which the center squares form the basis.

It is necessary, however, to touch upon this matter at this time, as in many openings the player is confronted after the very first moves with questions in which the maintenance of the center-Pawn is the point at issue.
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